Philosophical-Anthropological Approach to Historic-Cultural Research :: Philosophy Anthropology Essays

philosophical-Anthropological speak to to Historic- ethnic ResearchABSTRACT This approach holds that the problem of humanity determines the history of culture. On the basis of possibleness developed by scoop shovel Scheler, I try to work out the main characteristics of cultural process, the typology of culture, and the periodization of culture. The humanities in Russia are in the midst of a methodological crisis now, and I anticipate that this approach will help us obtain a fuller understanding of culture. Theres not a secret that Russian Humanities are in a methodological crisis now. Our scientists look for juvenile Methods and Approaches using the Conceptions of Western Science. Among them American Anthropology is the most popular in the last long time throughout the World. Philosophers are arouse in Ecological Anthropology which learns the adaptation of people to environment especially (see Sahlin M. Evolution specific and general// Theory in Anthropology. adroitness R., P aplan D. (eds). Chicago.1968 Hatch E. The growth of economics, subsistence and bionomical studies in American Anthropology// Journal of Anthropological Reseach. Vol.29.1973). Many American scientists prefer the neoevolution Method with the analyses of Race, Nation and others ethnic or neighborly groups (see, for example Lazlo E. Evolution The Grans Syntethesis. Boston.1987). Among new approaches we can see some connected with Psychology. (See Bock Ph.K. Rethinking Psychological Anthropology. N.Y. 1988 Berry J., Poortinga Y., Legall M., Dasen P. Cross-Cultural Psychology Research and Applications. Cambridge, 1992 Cole M. Cultural Psychology. Cambridge, 1996 Coult A.D. Psychodelic Anthropology. Philadelphia, 1997 and others). The authors write about appellation of Person, socialization and culturalization of children, about ethological method, which helps us to understand the interaction between Person and Society. Psychological Anthropology takes the first place in work out the th eme civilisation and Personality now, but it resolves this theme in the direction of Man adaptation to the modern Society. There is, however, the Conception, in which the development of finis seems to be depended on the ascendant of the Problem of Person-new Philosophical Anthropology. My special interest is connected, first of all, with this Conception as a Theory of Culture. New Philosophic Anthropology is well developed in Western Science, but practically unknown in Russia. Our philosophers only begin to study the Conception of its founder-Max Scheler (see Max Scheler. Izbranniye proizvedeniya. M., 1994). Max Scheler created the world(a) Theory of the historical work out as a penetration of Man into his own substance, as a permanent search for selfness, independent being into itself.Philosophical-Anthropological Approach to Historic-Cultural Research Philosophy Anthropology EssaysPhilosophical-Anthropological Approach to Historic-Cultural ResearchABSTRACT This approach hol ds that the problem of humanity determines the history of culture. On the basis of theory developed by Max Scheler, I try to work out the main characteristics of cultural process, the typology of culture, and the periodization of culture. The humanities in Russia are in the midst of a methodological crisis now, and I hope that this approach will help us obtain a fuller understanding of culture. Theres not a secret that Russian Humanities are in a methodological crisis now. Our scientists look for new Methods and Approaches using the Conceptions of Western Science. Among them American Anthropology is the most popular in the last years throughout the World. Philosophers are interested in Ecological Anthropology which learns the adaptation of people to environment especially (see Sahlin M. Evolution specific and general// Theory in Anthropology. Manners R., Paplan D. (eds). Chicago.1968 Hatch E. The growth of economics, subsistence and ecological studies in American Anthropology// Jour nal of Anthropological Reseach. Vol.29.1973). Many American scientists prefer the neoevolution Method with the analyses of Race, Nation and others ethnic or social groups (see, for example Lazlo E. Evolution The Grans Syntethesis. Boston.1987). Among new approaches we can see some connected with Psychology. (See Bock Ph.K. Rethinking Psychological Anthropology. N.Y. 1988 Berry J., Poortinga Y., Legall M., Dasen P. Cross-Cultural Psychology Research and Applications. Cambridge, 1992 Cole M. Cultural Psychology. Cambridge, 1996 Coult A.D. Psychodelic Anthropology. Philadelphia, 1997 and others). The authors write about identification of Person, socialization and culturalization of children, about ethological method, which helps us to understand the interaction between Person and Society. Psychological Anthropology takes the first place in working out the theme Culture and Personality now, but it resolves this theme in the direction of Man adaptation to the modern Society. There is, ho wever, the Conception, in which the development of Culture seems to be depended on the solution of the Problem of Person-new Philosophical Anthropology. My special interest is connected, first of all, with this Conception as a Theory of Culture. New Philosophic Anthropology is well developed in Western Science, but practically unknown in Russia. Our philosophers only begin to study the Conception of its founder-Max Scheler (see Max Scheler. Izbranniye proizvedeniya. M., 1994). Max Scheler created the global Theory of the historical Process as a penetration of Man into his own substance, as a permanent search for selfness, independent being into itself.

Malcolm X - Changes in Malcolm’s Perspective of White People Essay

Malcolm X - Changes in Malcolms Perspective of White PeopleMalcolm X was genius of the primary religious leaders and reformers of the 1960, where he fought for and ultimately gave his life for racial equality in the United States. His father was a reverend who believed in self-government and run shorted for the unity of murky state. Throughout Malcolms life he was treated horribly by white people, hence shaping his misconceptions of all white people and developing his strong belief in black separatism. It wasnt until years later where he embraced his black identity and discovered all races could live and work together for a common goal, brotherhood. Malcolm X was born Malcolm Little on May 19, 1925, in Omaha, Nebraska. Malcolms father believed in self-determination and worked for the unity of black people. Malcolm was raised in a background of ethnic awareness and dignity, but violence was started by white racists trying to prevent black people from succeeding. From the genuine ly beginning, even though Malcolm had not discovered his black identity, he had a very clear picture of what it meant to be black in the United States. As a young child, Malcolm, his parents, brothers, and sisters were shot at, harassed, threatened and burned out of their home. One of Malcolms earliest memories was when the KKK set his familys house on fire as the white police and fireman stood around and watched our house burn to the ground (p.3). This type of racism ultimately led to the demise...

A Comparison of Fate in Iliad and Oedipus Rex :: comparison compare contrast essays

Fate in Iliad and Oedipus Rex In the stories The Iliad and Oedipus Rex, Oedipus and Achilles exemplified the portrayal of how a personal characters fate may lay in their stimulate hands. The futile mindset Oedipus held triggered one of the most tragic turns in his future, resembling Achilles. As for his excess pride, it resulted in the loss of his good friend Patroclus. Oedipus boastful ways were the initiation of his bleak downfall. A few years before Oedipus took reign of king, he was requested to step aside while a group of men passed. His self-esteem matt-up intruded and he was so enraged he killed the crowd. Thinking that he already knew his true father Oedipus did not know that one of the members of the assembly that he had slaughtered was his own father, King Laius. Destroying his father meant destroying the city he was soon to befriend as their king. Oedipus felt as if this curse came from above, as he says in line 1285, Apollo. ripe children the god was Apoll o. He brought my sick, sick fate upon me. But he also believed his ignorance played quite the role in his fate, as in line 700 he says, I think I may be accursed by my own ignorant edict. In the not so tragic fate that Achilles purport took, his obsession of his ego and pride was also the cause of the loss of his friend Patroclus. Agamemnon stole Briseis away from Achilles as revenge for him having to return Chryseis, to her father. In the proud look of Achilles this was a blow to his ego and chose that he would not fight in the war against the Trojans. Even though his friends remained in the war, he wished humiliation on Agamemnon. before the war Nestor presented the thought of Patroclus wearing Achilles armor and taking his place of battle, so Patroclus followed the suggestion and went into war with Achilles armor on.

Mohandas Gandhi`s Use of Nonviolent Methods to Achieve Independence Ess

The mission of Gandhis life was to help the people of India let loose themselves from British rule. Many people have struggled for freedom. They have fought bloody battles or handlingd terrorism in an attempt to achieve their goals. Gandhis revolution was different. He succeeded as an independence leader with the use of nonviolent methods. The young Mohandas Gandhi did non seem as a boy that would become a great leader. He changed as he studied in Britain and practiced in South Africa. He fought for the rights of Indians in both South Africa and India. Gandhi believed that all people in the humans are brothers and sisters. He didnt hate the English. Actually, he saw a lot that was good about them. His nonviolent means of revolution was referred to as satyagraha, which is a combination of two Sanskrit words, satya, meaning truth and love, plus agraha, meaning firmness. Many people were influenced by satyagraha. Mohandas Gandhi was born into a Hindu family of the Vais ya circle. This was the third ranking caste in the class structure of Hinduism. This class was for farmers and merchants. The whole system was so complex that in Gandhis lifetime it had begun to disintegrate. Gandhis father and grandfather were not farmers or merchants. They were prime ministers of the tiny principality of Porbandar in Gujarat. Mohandas was extremely shy. He rushed to and from school, too nervous to talk to any of his classmates. Then a fair and strong-willed girl was married to him by an arranged marriage at the age of 13. Her name was Kasturbai. A marriage at this age was typical in Hindu custom. He was a strict husband and kept control over actions. Kasturbai disliked this. They didnt spend more than the first five long time of their marriage together, since it was typical for the girl to visit her family. At this point in his life, he was very depressed. He was little and suffered fears that didnt bother his wife. An athletic and one-time(a) b oy who was Muslim fascinated him. He told Mohandas to eat meat if he wanted to become bigger and stronger. He said the Indians were weak and small people, because they didnt eat meat, and this is why the British, who did, had the strength to rule over them. This was against his religion, but he tried anyway. He ate the meat in secrecy, but after a few meals he stopped. He didnt like the taste of meat and fe... ...ndence. He demonstrated the value of love and humanity. He neer hated anyone and neer wanted to harm his enemy. Gandhi sacrificed his family life and personal possessions for what he thought was right. His mission take uped when he was insulted and decided to take a stand against it. He didnt start out as a leader but developed into one throughout his years in South Africa. His goal in India was to gain independence for India. Even after the independence of India he sought to resolve the religious conflicts that existed between the Muslims and the Hindus. H e was dedicated to serving people. Gandhi succeeded as an independence leader with the use of nonviolent methods. Satyagraha proved to be a technique that required courage, patience and life. When done properly the results were positive. This figure in world history will never be forgotten, but admired for years to come.BibliographyNigel, Hunter. Gandhi. New York The Bookwright Press. 1987Schlesinger, Arthur. Gandhi. New York Chelsea House Publishers. 1985Severance, John. Gandhi Great Soul. New York Clarion Books. 1997Sherrow, Victoria. Mohandas Gandhi. Connecticut Brookfield. 1994

Herb Brooks: Charismatic Motivation in Coaching Essay -- essays resear

herbaceous plant Brooks Charismatic Motivation in Coaching     In the following essay, I go away argue that Herbert Herb Brooks was a charismatic leader due to his powerful motivation and his high expectations. He expected great things from the players he coached, moreover mostly, he expected them to think of the team and not themselves. He motivated with a powerful punch, mostly through fear, but was able to unite his teams and ultimately the country.      Herb Brooks was born on August 5, 1937 in St. Paul Minnesota (Herb Brooks). Growing up in Minnesota, he became attached to the sport of ice hockey. He spent years practicing and playing this sport, and in 1955, he led his high school team to the state championship. After three years of college at the University of Minnesota, he joined the 1960 Olympic hockey team, but was cut from the team just before the Olympic games. He compete for the United States in the neighboring two Olympic g ames, and in 1970 he picked up his coaching move at the University of Minnesota. In his six years of coaching at the university, he led the team to three farmingal championships (Herb Brooks). In 1980, his United States Olympic hockey team, consisting of all college students, achieved one of the greatest spectacles in sports history The miracle on ice. His team beat the Soviets in a white-knuckle, heart pounding game with a score of four to three. The Soviets were a well trained, tremendous team that were considered to be the greatest hockey team that has ever taken the ice. After leading his team to this miraculous victory, he continued his coaching career up until his tragic death in 2003. His high expectations for his team and his fearful, powerful motivational techniques led him down a path of greatness that helped him become an transport to all.      Brooks 1980 Olympic hockey team consisted of college students whose average age was 22 years, and was ful l of rivalry because of players being from different universities. This young team was being matched against some opponents who had played and practiced together year-round, for several years. The Soviets had beaten a team of National Hockey League all-stars the year before, and they triumphed over this young U.S. team at an disposition game in New York a week before the Olympiad (Herb Brooks). Herb did not ... ...out the best in every player that played for him. Although he seemed bitter at first, the team members bought into his methods of motivation, and became united as a team. Herb communicated to them his goals and aspirations, and the team was able to set its sights on the future. He had many dreams, and once say, according to the ESPN website, "You know, Willie Wonka said it best We are the makers of dreams, the dreamers of dreams. We should be dreaming. We grew up as kids having dreams, but now were too sophisticated as adults, as a nation. We stopped dreaming. We s hould always involve dreams. Im a dreamer. His dreams bringing out the best in every player became reality, and it not only united his team, but it united the country. Herb Brooks was a great inspiration to his many team members throughout the years, and now he is remembered as a powerful motivator and an inspiration to the nation as a strong charismatic leader. Works CitedHerb Brooks. Retrieved April 14, 2005 from the world wide web http//galenet.galegroup.com.Coach Known Best for 1980 Hockey Gold. (2003, August). The Associated Press. Retrieved April 14, 2005 from the World large Web http//www.espn.com.

Herb Brooks: Charismatic Motivation in Coaching Essay -- essays resear

herb allow Charismatic Motivation in Coaching     In the following essay, I will argue that Herbert Herb Brooks was a charismatic leader due to his powerful motivation and his high expectations. He pass judgment great things from the players he coached, but mostly, he expected them to think of the group and not themselves. He motivated with a powerful punch, mostly through fear, but was able to unite his police squads and eventually the country.      Herb Brooks was born on August 5, 1937 in St. Paul Minnesota (Herb Brooks). Growing up in Minnesota, he became attached to the sport of ice hockey. He spend years practicing and playing this sport, and in 1955, he led his high school team to the state championship. After three years of college at the University of Minnesota, he conjugated the 1960 surpassing hockey team, but was cut from the team just before the Olympic games. He played for the United States in the next two Olympic games, and in 1970 he picked up his coaching c areer at the University of Minnesota. In his six years of coaching at the university, he led the team to three national championships (Herb Brooks). In 1980, his United States Olympic hockey team, consisting of all college students, achieved one of the greatest spectacles in sports history The miracle on ice. His team fly the coop the Soviets in a white-knuckle, heart pounding game with a score of four to three. The Soviets were a well trained, terrifying team that were considered to be the greatest hockey team that has ever taken the ice. After leading his team to this miraculous victory, he continued his coaching career up until his tragical death in 2003. His high expectations for his team and his fearful, powerful motivational techniques led him down a path of greatness that helped him become an inspiration to all.      Brooks 1980 Olympic hockey team consisted of college students whose average age was 22 years, and w as full of rivalry because of players being from different universities. This young team was being matched against some opponents who had played and practiced together year-round, for several years. The Soviets had beaten a team of National Hockey League all-stars the year before, and they triumphed over this young U.S. team at an exhibition game in New York a week before the Olympiad (Herb Brooks). Herb did not ... ...out the best in every player that played for him. Although he seemed harsh at first, the team members bought into his methods of motivation, and became united as a team. Herb communicated to them his goals and aspirations, and the team was able to set its sights on the future. He had many dreams, and once said, according to the ESPN website, "You know, Willie Wonka said it best We are the makers of dreams, the dreamers of dreams. We should be dreaming. We grew up as kids having dreams, but now were too sophisticated as adults, as a nation. We stopped dreaming. W e should always have dreams. Im a dreamer. His dreams bringing out the best in every player became reality, and it not only united his team, but it united the country. Herb Brooks was a great inspiration to his many team members throughout the years, and now he is remembered as a powerful motivator and an inspiration to the nation as a strong charismatic leader. Works CitedHerb Brooks. Retrieved April 14, 2005 from the world wide web http//galenet.galegroup.com.Coach Known Best for 1980 Hockey Gold. (2003, August). The Associated Press. Retrieved April 14, 2005 from the World Wide Web http//www.espn.com.

Lean On Me Essay

Sometimes it can be thorny to know for certain when you have been victimized and it can be charge more difficult to understand why, who, and exactly how you have been victimized. Obviously in cases of bullying, or violence, or rape, the development is very obvious, but a film equivalent Lean On Me causes the viewer to question whether or not victims can sometimes go unnoticed. One example that is subtle, but present in the film, is the root that all of the kids in East Side High School are victims of a larger social and political world that they probably could not vocalize even if they had a chance to view it in its entirety.The social class-systems and economic distribution in America, the idea of free markets and of haves and have nots is at the bottom of their difficult and crime-infested existence. The great irony of the movie is, of course, that only by getting an education can the kids at the high crop escape their dismal lives and earn something better, but the very de cadence and violence of the schools has created an atmosphere where acquirement is impossible. Every unmatched, including myself, has probably experienced at least cardinal obstacle, if not some(prenominal) more, to receiving their right to an education.In my bear case, I have been victimized not only by school bullies, but by negligent or outright hostile teachers. In one case, I remember having been given a C- on an assignment in Math where the teacher had incorrectly marked many of my answers. The assignment deserved a B but when I asked for the teacher to take another look at the assignment, I was told to accept the grade I had been given, period. That is a kind of victimization which is very slight compared to the vents portrayed in the movie Lean on Me,but it is an example of how sometimes victimization can go unnoticed.People that I have known have experienced much more extreme victimization, whether it be a female friend who is in an abusive relationship, or a close frie nd of mine whose own family continuously criticizes him while relying on him to run errands and help with financial obligations. Victimization seems to follow a pattern where one soulfulness or group of persons takes advantage of someone whom they perceive to be weaker, or of lesser consequence than themselves. If you are a victim, that probably cockeyeds that the person or group who is victimizing you has decided that you are of lesser power and importance than they are themselves.While it is a common belief that victims are the innocent party, it is only possible for somebody to be a victim while at the same time victimizing others. One good illustration from Lean on Me is the school drug-dealers whoa re making victims out of the people they deal drugs to, but they are also victims themselves of the same social injustices and social inequalities that plague the others. Because you are most potential to be noticed first as a perpetrator of crime than as a victim in most cases, t his kind of victimization goes unnoticed. numerous forms of victimization rest on the fact that the victims are usually not regarded at large as being valuable or desirable. In many cases they also view themselves this way as of little or no importance. The best remedy I can think of for victimization is self-empowerment. That doesnt mean violence, but it does mean that because victimization implies that one is viewed as being weaker or of lesser value the natural response to remedy victimization would be the presentation that either or both of these assumptions are false.In the case that I related about my own math grade, the proper response would have been to try out out whatever official protocol the school offered to challenge an illigitimate grade and maybe through this means I could have had the grade changed, which, in mature would have demonstrated to the teacher that I was not of lesser consequence than the teacher themself. In the case of Lean On Me, of course, the se nse of self-empowerment came through learning adn self-discipline, which is the very best method to address victimization and prevent future victimization.

The Three Rs

The Three Rs Using the common chord Rs- slim down, reuse and recycle help the world to amputate down on the amount of waste being thrown away. They conserve earthy resources, landfill space and energy. When flock go outside, they see trash on the kingdom instead of the trashcan. This doesnt help the economy instead it affects it. In todays economy, the earths resources ar suffering with major problems which lead to consequences. at that place are many ways to conserve the earths resources. However, the three most efficient ways to conserve the earths resources are reducing, reusing, and cycle products and materials.Reducing is one of the most efficient ways to help conserve resources. Reducing is cutting down on materials that are unnecessary. Using reduction conserves natural resources and uses less than usual in order to avoid waste. Energy is one of the resources that are limited. Reducing energy can help consume fossil fuels that are becoming increasingly limited on supp ly. For example, instead of leaving the lights on when individual exits the house or room, he or she could turn off the lights. Also, people can unplug their appliances that are not in use to help reduce the use of energy within their househ grey.Gas is another problem the earth is restrict on. Reducing the use of gas helps reduce the climate change in the world. For instance, people can reduce gas by carpooling with a neighbor or a friend. He or she could also ride their bikes to work, to school, or make up to the park. This helps reduce the use of energy and gas. Although reducing helps the earth use less, reusing materials helps reduce waste. Reusing materials or products is the second most efficient way to conserve resources.Reusing materials helps avoid and slow down the process of products being turned into waste and reduces the number of products being brought. fit out are essential items to be reuse and can always be changed into something new. Clothes productions are a major drain on natural resources and can pick out unethical social practices. For example, people can donate their old clothing instead of throwing it into the trash. Also, people can restyle their old clothing, turning a pair of old jeans into a headband or even cut out designs and put them onto a shirt.This helps people who do not have clothing, give people ideas of new styling, and avoids waste. tractile bags are another thing we should reuse. Plastic bags are necessary products that should be re utilize but arent. Plastic bags production consumes millions of gallons of oil that could be used for fuel and heating. For instance, when someone goes into the supermarket, he or she should purchase reusable bags instead of the plastic bags. He or she could even purchase fiber bags or cloth bags that can be reused multiple of times as he or she goes into different stores.Reusing these items helps reduce waste thats being put into the air and water. Although reusing products and materi als may help reduce waste, recycling helps reduce pollution. Recycling is the third most efficient way to conserve resources. It is something that is very common in most countries. When raw materials are used in the manufacture of new goods derived from the core elements of old products, there is an enormous saving of limited and finite natural resources. Recycling is reusing materials or products in reliable or changed forms rather than discarding them as wastes.Aluminum is the most common material that is recycled in this economy. Recycling aluminum creates more jobs, helps the environment, and saves natural resources. For example, aluminum cans get recycled the most. Mostly for the gold people could receive back. Also, beer bottle caps can be recycled and could be made into something different, such as it being turned into a decoration or even used for a project. Paper is the second most common material that is recycled. Making paper from recycled paper uses less energy than ma king paper from trees. For example, everyone receives newspapers in the morning.Instead of throwing it into the trashcan, he or she could recycle it. Books are another example of paper that can be recycled. Used books that can no longer be used could be shredded and recycled. Recycling is the most important out of the three Rs. Although reducing, reusing, and recycling are important, many people do not suppose that they help save the earths resources. They are sadly mistaken because they help use less, reduce waste, and reduce pollution into the air. This helps prevent global warming. The three rs all help conserve energy within the world.

Behaviorism-reinforcement

It is difficult if non possible to measure whats going on in a students mind at a specific moment. The students appeared to be paying attention were actually thinking non-academic issues, is not interested, is not motivated, is preoccupied with himself, among many other reason for non participation at school. Reinforcement rooted in the classic work of James Watson and B. F. Skinner. My discussion will include techniques, for increasing, decreasing, and maintaining bearing. There are many things to consider in the drill of rewardment so as to elicit manner or the desired behavior.To give into consideration is that, reinforcement is more military groupive when it is immediate. If a response of a student is no longer beef up, as in ignoring a given answer of a student every time a teacher throws a question or unintentionally took it for granted, the learner if again called his attention to give his answer will eventually given up the response. Another is, desired do are encour aged by a reinforcement specifically hearty reinforcement, which typically include attention piece of ass be verbal or nonverbal. For example, the look on your face can carry an unmistakable message to a student.Usually, however, social reinforcers are verbal either accompanying some other body of reinforcement (John, you can act as class monitor because of the way you be progress to in gym) or taking the forms of words or word that signal your pleasure ab unwrap the specific behavior. Social reinforcers expression, contact, proximity, privileges, and words. Giving positive remarks as the reinforcement every time the student performed better, finished a chore or cooperate in the school activities are helpful in strengthening the students behavior or the possibilities of the repetition of the same positive behavior.A very shy youngster may find it difficult to join into classroom activities, specially if the school experience is new to her. The teachers role is to involve the child in the classroom activities. The childs behavior should only be recognized when she is at the activity, though not necessarily participating. For example, when the child sits with the group at circle time, sits at a table where manipulative games or arts projects are provided.An activity within easy reach, when she is within easy reach of an activity, reinforce her, by praising and recognizing her behavior. Provide a reinforcement for every involvement in classroom activities as you notice it. A good reinforcement starts out with continuous reinforcement at the beginning stage of learning. Tangible reinforcers such as cookies and badges for young students or notes to parents or certificates for older students are just hardly a(prenominal) examples which are necessary in the appliance of reinforcement so as to achieved desired outcome.In swelled reinforcement, as progress in the skill or behavior develops, less emphasis should be placed on tangible reinforcers, such as food and tokens, while more emphasis should be given to social reinforcers, such as praise and attention. Reinforcement is given only after the learner gains sufficient skill at a task, be it participating in group work or writing, that later be strengthened or reinforced that later becomes automatic and habitual. Constant reinforcement means reinforcing the behavior of the student every time he participates.Applying a continuous reinforcement produces best results especially in new learning or conditioning situations. In education, we energize behaviorism by awarding grades for various levels of performance that the more a student manifests interest in school/ classroom the more the behavior is reinforced so as to expect the same responses or behavior. If you wish to use positive reinforcers, and we all do, deliberately or otherwise, then you must be witting of how you use them. The following should put into consideration first consider the age, interest, and needs of the students.Pie ces of candy are not too motivating for adolescents, but they must be not bad(p) for first-graders know precisely the behavior you wish to strengthen and make your reinforcers sufficiently desirable list potential reinforcers that you think would be desirable set out your reinforcers and keep record of the effectiveness of various reinforcers on individual students. Positive reinforcement is a powerful principle and can be applied to great advantage in the classroom. All of us who teach, from the preschool to the doctoral level, use positive reinforcement.We must avoid, however, making students too dependent on the reinforcement we provide, particularly if we have initiated structured programs for students. We want them to work for those reinforcers that are natural to them. Punishment is a stimulus that follows a behavior and decreases the likelihood that the behavior will be repeated. It can be use to reduced inappropriate behavior but should be done sparingly as even psychologi sts advice its application in moderation. For instance, giving deductions or minuses on the accumulated grade in assignment every time a student misbehave e.g. shouting while the class in going on, decreases the likelihood of the behavior to be repeated. But when a student is not rewarded for appropriate or adaptive behavior, inappropriate or maladaptive behavior may become increasingly dominant, then punishment sinks in to eliminate such undesirable behavior. Sometimes, however, when the goal is to reduce or eliminate misbehavior, teachers consider victimization punishment (aversive procedures). A word of warning. Dont fall into the trap of relying punishment.Its easy it frequently works for a short time (although not as well with the secondary school students) and gives you a feeling of having established control. Punishment can destroy rapport with the students if excessively used, it produces a ripple effect that touches all students and affects ones teaching and it may have sid e effects of which a teacher is unaware. In general, reinforcing alternative behavior is a farther better method than punishment. Sources Elliot et al. ,(2004). Educational psychology 3rd ed. USA McGrawHill. Essa,V. (1999). A practical guide to solving preschool behavior problems. New YorkDelm

The Environmental impact of tourism is always harmful – Discuss

As demands for touristry and recreation increases for example referable to an aging but active population , novel interest in nations heritage and tidy sum seeking quiet environments so too will their impact on other socio economic structures in society, tourist environments and wildlife habitats. In Bali, Kenya and the lake District much of the untimely emergence was uncontrolled and badly planned. Development was driven by the momentum for growth and the developers desires for fast profits, without any thought be given to the future.These areas which are regulate by the forces of nature are now under threat, if not in the process of being physically vilify and destroyed. In Kenya tourism is mainly drive and Beach orientated. The wildlife related tourism brought an change magnitude amount of visitors into Kenya through the 1990s, boosting the LEDCs economy. neverthe little many of the areas that are most valuable to the tourist trade are the wildlife alter lays that move all over been inhabited by people like the Masai for hundreds of years.Tourism has been environmentally damaging here where the sheer number of visitors and amount of Safari art is seriously damaging the vegetation cover and the vehicles are ca using soil erosion. Also the increase in tourism has meant an increase in the unyielding get behind travel which is now seriously contributing to the greenhouse effect and global warming. Problems created are going to be more severe in the ELDW than in the EMDW . more of the tourist souvenirs are make by the local anesthetics are made of ebony and the trees are cut down faster than replaced.However tourism has not eer been libelous to the environment and pot benefit an area where the marine life has been re appraised and is beginning to be viewed as valuable. Like the marine park at Watamu off the coast of Milindi which was set up to preserve the coral reefs and to provide an additional visitor attraction. Not only has tourism brought environmental impacts that are harmful to Kenya, it has brought economic impacts that are harmful. At least 40% of tourist revenue is leaked outside to airlines and travel companies.You can read also WavesThe result of beach tourism has caused a rapid increase of impart prices along the coast, well beyond the purchasing power of local African farmers. The improvements in infrastructure has also contributed to land price inflation and encouraged further speculative hotel buildings on what was good agricultural land. I dont agree though that the impact is always harmful as the locals admit benefited from these improvements in infrastructure. Furthermore tourism had overinterpreted coffee on Kenyas major export earner it equalled 43% of export earning in 1990.Additionally tourism was an employer in both the formal and informal sector. In Bali the environmental impact of tourism has nearly always been harmful. The number of tourists visiting Bali was fairly low until the late mid-sixties when the numbers dramatically increased. This was due to the governments five year plan to encourage tourism to the area. The growth in tourism caused harmful environmental impacts . Raw sewer was dumped into the sea as the infrastructure cannot cope with tourists.This damages the reefs. The wake from motor boats also destroys the coral as does the actions of those trying to collect it to sell to tourists. Once damaged there is nothing stop the waves hitting the beach directly, resulting in beach erosion that threatens coconut plantations, farmland and land on which hotels are built. Tourism in Bali has led to threat of extinction of numerous breeds of turtle whose eggs are now collected as a delicacy from tourists and the bodies of which as stuffed or made into trinkets.On the other hand this led to the environmental benefit of the convention on international trade in endangered species forcing the Ind 1sian government to cut their controls on the treatment of animal s. As the number of tourists increases so does infrastructure of roads , electricity mains, water, airports and car parks being created. Though its association with pollution has been a problem. The main beach in Bali Kuta has been spoiled. There is severe beach erosion of up to 2cm a year and the combat the litter problem people are employed to bury the rubbish each morning.Tourism also brought violent crime which was unknown to Bali before 1979, drug dealing , prostitution and theft increased. However in Bali a marine park of Bunaken off N Sula west was set up because of tourism. As the potential impact of tourism on the natural environment was recognised, suitable conservation projects were set up. Even though the environmental impact of tourism was harmful, I brought many economic benefits. Many new jobs were created especially in hotels, travel agencies and the craft and entertainment industries e. g. 7000 applicants for 400 jobs at the new Bali-Hyat hotel.There is a revival of some traditional arts and crafts aimed at the tourist market wood carvers, jewellery making, weaving, Batik. Also Balinese dancers now come to the larger hotels to perform for guests when originally the tourists would have had to go into the small towns to see them. Again there have been economic costs where many of the economic benefits have not been evenly spread. Resorts in the South have benefited whilst those in the North east have not. This has lead to conflict between the two areas over the distribution of tourist receipts.At village level much of the money from tourism in being spent on schools, cultural improvements, temple maintenance. However increasingly the money is being spent on imported goods, which dont benefit the island economy. Land prices have increased between 1969 and 1970 by 40% in tourist areas this was 120%. In resort areas previously agricultural land use was for growing food for the islanders was sell off to resorts offering to pay hundreds of times the price it would fetch on agricultural land. To prevent the impact of tourism from being harmful again measures were taken by locals.Boards were put up on gates and walls warning tourists that certain ceremonies were private. Trees were planted and flowers. A restaurant association was established and elected its own leader. This was followed by the art shop, guest houses and bus drivers and dancer troupes. A map of the village was published by the organisation with full explanation of how to behave in the village an example of greater control by indigenous population. In the Lake District which is an MEDW, I dont agree the environmental impact is almost always harmful.The lake district is one of the UKs national parks which has two purposes to conserve and enhance the natural beauty, wildlife and cultural heritage of the lake district, was well to promote opportunities for understanding and enjoyment of special qualities of the national park and a duty to foster the economic and soc ial well being of local communities within the park. These aims inevitably create conflicts of interest either between local people and visitors because users and uses cannot easily be easily restricted to certain areas of zoning. Footpath erosion is a widespread environmental impact and clear sign of visitor pressure.It is caused by people not sticking to the footpath because they dont want to or it is flooded or poor management. The other causes of footpath erosion climate due to heavy rain, strong winds and frost. The type of vegetation as mat grass, bents and fesules resist trampling best, the aspect, erosion is more likely to happen on slopes less than 18 and the pressure of use. However it is not always harmful as management strategies have been introduced which direct visitors along alternative routes repair and maintain through drainage by placing small drainage channels along the path side so that rainwater is channelled away more quickly.They can construct the path using techniques such as pitching which is sinking stones into the path so that only the tops show to give a hard surface. Also matting can be used stabilizing the path over boggy ground. Furthermore the path can be repaired using methods such as levelling off the set and the banks on its sides. Re seeding the grass with mat grass and fescues which better resist the effects of trampling. In the lake district the environmental impact is not always harmful as LDNPA ensures tourism is sustained and managed. To prevent congestion on the roads and air pollution.Roads are closed to traffic in tourist time and weekends. Tourists encouraged to walk in and walk out i. e. not using cars. Also to preserve the environment and to make the environmental impact less harmful they have a concentration of high visitor densities with a small number of honey pots with high carrying capacity such as Windermere. At the other innate there are natural lakes on which no use of the water surface is allowed e. g . wast water. These are managed at low carrying capacities to give low density, quiet, leisure experiences.In such areas negative planning controls are used to restrict accessibility and hence control numbers of visitors. E. g. not upgrading the narrow winding roads over the passes from honey pots and not providing more parking spacing. The make the environmental impact less harmful. On top of this again to make the impact of tourism less harmful the LSNPA is the Development control or planning authority for the whole lake district. It must approve all new buildings/ changes to buildings or land use. Tries to protects the area from development out of character with the landscape .It does not stop all developments and must allow change to develop in response to peoples needs as long as the doesnt damage the qualities and character of the national park. Overall it would seem that in that tourism in the LEDW has had an adverse impact on the environment, degrading the resources on which it depends. The damage was from the overuse and misuse of resources together with poor management and planning. However in the MEDW in the lake district they have been able to sustain the environment and tourism by balancing the economic growth with conservation of the environment.

Black House Chapter Twenty-four

24DYAMBA IS A BRIGHT and in exclusively-powerful spell powerful connections form a web that extends, ramifying, through place(p) infinity. When crap Sawyer peels the living poison from Mouses eyes, dyamba initial shines within the dying human beingss mind, and that mind signifi netcearily expands into k nowadaysledge imbibe the filaments of the web flows some(prenominal) measure of its shining strength, and soon a touch of dyamba reaches atomic number 1 Leyden. A commodious the way, the dyamba disinfectes Tansy Freneau, who, seated in a windowpaneed alcove of the sandpaper Bar, observes a wry, beautiful young woman apply successful shape in the pool of settle at the far end of the position distri nonwithstandinge and factualizes, a moment forrader the young woman vanishes, that she has been legislaten a glimpse of the individual her Irma would hand become and it touches Dale Gilbertson, who while driving home from the order experiences a profound, sudden year ning for the presence of jacklight Sawyer, a yearning desire an ache in his heart, and vows to pursue the fisher case to the end with him, no matter what the obstacles the dyamba quivers flashing down a filament to Judy marshal and opens a window into Far out access(a), where Ty sleeps in an iron-colored cell, awaiting rescue and still alive within Charles Burnside, it touches the authentic fisherman, Mr. Munshun, at once known as the Monday Man, just as Burnys knuckles rap the glass. Mr. Munshun t whizs a subtle drift of cold line of merchandise infiltrate his chest like a warning, and freezes with rage and hatred at this violation Charles Burnside, who knows nonhing of dyamba and can non hate it, picks up his commands emotion and remembers the time when a boy supposed dead in gelt crept out of a canvas sack and soaked the backwards seat of his car in incriminating descent. Damnably incriminating blood, a substance that go on to mock him long after he had washed onward its visible traces. only when enthalpy Leyden, with whom we began this chain, is visited not by grace or rage what touches heat content is a variety show of informed clarity.Rhodas visits, he realizes, were one and all produced by his solitariness. The only thing he heard climbing the steps was his unending admit for his wife. And the being on the other side of his studio a add up inment brink is the worth(predicate)less old man from Maxtons, who intends to do to total heat the same thing he has make to three children. Who else would appear at this hour and knock on the studio window? Not Dale, not jak, and certain(a)ly not Elvena Morton. Everyone else would stay outside and tele foretell the doorbell.It takes total heat no much than than a couple of here and nows to consider his options and work out a rudimentary plan. He supposes himself twain quicker and stronger than the Fisherman, who fundamentaled like a man in his mid- to late octeties and the Fisherma n does not know that his would-be victim is aware of his identity. To take advantage of this situation, hydrogen has to appear puzzle simply ami commensurate, as if he is merely curious most his visitor. And once he opens the studio door, which unfortunately he has left-hand(a) unlocked, he volition shake to act with speed and decisiveness.Are we up to this? hydrogen asks himself, and thinks, Wed better be.Are the lights on? No because he expected to be alone, he never bothered with the charade of switching them on. The question then becomes How tincture is it outside? Maybe not quite dark decorous, enthalpy imagines an hour later, he would be able to choose through the house entirely un distinguishn and es pileuse through the back door. Now his odds are probably no better than fifty-fifty, only when the sun is sinking at the back of his house, and every second he can delay buys him another(prenominal) fraction of evil in the living direction and kitchen.Perhaps 2 seconds have passed since the lurking figure rapped on the window, and enthalpy, who has maintained the perfect composure of one who failed to hear the sound made by his visitor, can tie-up no longer. Pretending to be lost in thought, with one hand he grips the base of a heavy Excellence in Broadcasting select accepted in absentia by George Rathbun some years before and with the other scoops from a shallow tray before him a switchblade an admirer once left at the university radio station as a tri exactlye to the Wisconsin Rat. heat content uses the knife to unwrap CD jewel boxes, and not long ago, in count of something to do with his hands, he taught himself how to sharpen it. With its blade retracted, the knife resembles an odd, flat fountain pen. Two mechanisms are twice as good as one, he thinks, specially if your adversary imagines the second sleeve to be h spikeless.Now it has been four seconds since the rapping came from the window by his side, and in their individual ways both Burny and Mr. Mun-shun have grown easily more restive. Mr. Munshun recoils in loathing from the suggestion of dyamba that has somehow contaminated this otherwise delightful scene. Its appearance can mean one thing only, that some person connected to the blind man managed to plump terminal enough to B pretermit House to have adjudicated the poisons of its ferocious guardian. And that in turn means that now the unwanted turd Sawyer undoubtedly knows of the existence of Black House and intends to breach its defenses. It is time to destroy the blind man and return home.Burny registers only an inchoate classification of hatred and an emotion surprisingly like fear from within his master. Burny feels rage at hydrogen Leydens appropriation of his voice, for he knows it represents a threat counterbalance more than this self-protective impulse, he feels a yearning for the simple but profound pleasure of bloodletting. When Henry has been butchered, Charles Burnside wishes to claim one more victim before temporary to Black House and entering a realm he thinks of as Sheol.His big, misshapen knuckles rap once more against the glass.Henry turns his brainiac to the window in a flawless imitation of mild storm. I thought someone was out there. Who is it? . . . Come on, speak up. He toggles a switch and speaks into the microphone If youre hypothesizeing anything, I cant hear you. Give me a second or two to get organized in here, and Ill be justifiedly out. He faces introductory again and hunches over his desk. His left hand throwms idly to touch his handsome award his right hand is hidden from sight. Henry appears to be deep in concentration. In reality, he is listening as hard as he ever has in his life.He hears the handle on the studio door tramp clockwise with a marvelous slowness. The door whispers open an inch, two inches, three. The floral, musky scent of My Sin invades the studio, seeming to coat a thin chemical mobilise for over the mike, the register measure canisters, all the dials, and the back of Henrys deliberately exposed be intimate. The sole of what sounds like a carpet slipper hushes over the pull down. Henry tightens his hands on his weapons and waits for the particular sound that entrust be his signal. He hears another cheeseparingly soundless step, then another, and knows the Fisherman has moved behind him. He carries some weapon of his own, something that cuts through the mist of perfume with the shutouty smell of front yards and the smoothness of machine oil. Henry cannot imagine what this is, but the movement of the air splits him it is heavier than a knife. regular a blind man can see that. An awkwardness in the way the Fisherman takes his next oh-so-quiet step suggests to Henry that the old fellow holds this weapon with both of his hands.An image has formed in Henrys mind, that of his adversary standing behind him poised to strike, and to this image he now adds extended, upraised arms. The ha nds hold an doer like garden shears. Henry has his own weapons, the best of these being surprise, but the surprise moldiness be well timed to be effective. In fact, if Henry is to avoid a quick and messy cobblers last, his timing has to be perfect. He lowers his neck farther over the desk and awaits the signal. His calm surprises him.A man standing undetected with an object like garden shears or a heavy pair of scissors in his hands behind a seated victim will, before delivering the blow, take a long second to arch his back and reach up, to get a maximum of strength into the downward stroke. As he extends his arms and arches his back, his c mess hallhing will shift on his body. Fabric will slide over flesh one fabric whitethorn allure against another a belt may creak. in that respect will be an intake of breath. An ordinary person would hear a couple of(prenominal) or none of these telltale disturbances, but Henry Leyden can be depended upon to hear them all.Then at last he do es. Cloth rubs against skin and rustles against itself air hisses into Burnys nasal passages. Instantly, Henry shoves his chair reversed and in the same movement spins around and swings the award toward his assailant as he stands upright. It works He feels the force of the blow run down his arm and hears a grunt of shock and pain. The odor of My Sin fills his nostrils. The chair bumps the top of his knees. Henry pushes the button on the switchblade, feels the long blade leap out, and thrusts it forward. The knife punches into flesh. From eight inches before his face comes a scream of outrage. Again, Henry batters the award against his attacker, then yanks the knife free and shoves it home again. Skinny arms tangle around his neck and shoulders, filling him with revulsion, and foul breath washes into his face.He becomes aware that he has been injured, for a pain that is sharp on the surface and dull beneath announces itself on the left side of his back. The goddamn hedge clippers, h e thinks and jabs again with the knife. This time, he stabs only empty air. A rough hand closes on his elbow, and another grips his shoulder. The hands pull him forward, and to keep upright he rests his knee on the seat of the chair. A long nose bangs against the bridge of his own nose and jars his sunglasses. What follows fills him with disgust two rows of odontiasis like broken clamshells fasten on his left cheek and saw through the skin. stemma sluices down his face. The rows of teeth come together and rip away an oval wedge of Henrys skin, and over the white jolt of pain, which is incredible, worse by far than the pain in his back, he can hear his blood sparge against the old monsters face. Fear and revulsion, along with an amazing amount of adrenaline, give him the strength to lash out with the knife as he spins away from the mans grip. The blade connects with some moving part of the Fishermans body an arm, he thinks.Before he can feel anything like satisfaction, he hears t he sound of the hedge clippers slicing the air before they pointe into his knife hand. It happens almost before he can take it in the hedge clippers blades tear through his skin, snap the bones, and sever the last two fingers on his right hand.And then, as if the hedge clippers were the Fishermans last contact with him, he is free. Henrys foot finds the edge of the door, kicks it aside, and he propels his body through the open space. He lands on a floor so sticky his feet slide when he tries to get up. Can all of that blood be his?The voice he had been studying in another age, another era, comes from the studio door. You stabbed me, you asswipe moke.Henry is not waiting around to listen Henry is on the move, wishing he did not feel that he was leaving a clear, wide trail of blood behind him. Somehow, he seems to be drenched in the stuff, his shirt is sodden with it, and the back of his legs are wet. Blood continues to gush down his face, and in spite of the adrenaline, Henry can fe el his energy dissipating. How much time does he have before he bleeds to death twenty minutes?He slides down the lobby and runs into the living style.Im not passing to get out of this, Henry thinks. Ive lost too much blood. just at least(prenominal) I can make it through the door and move over outside, where the air is fresh.From the hallway, the Fishermans voice reaches him. I ate part of your cheek, and now Im leaving to eat your fingers. Are you listening to me, you moke of an asshole?Henry makes it to the door. His hand slips and slips on the knob the knob resists him. He feels for the lock button, which has been depressed.I utter, are you listening? The Fisherman is coming closer, and his voice is full of rage.All Henry has to do is push the button that unlocks the door and turn the knob. He could be out of the house in a second, but his expecting fingers will not obey orders. All right, Im going to die, he says to himself. Ill follow Rhoda, Ill follow my Lark, my be autiful Lark.A sound of chewing, do with smacking lips and crunching noises. You taste like shit. Im eating your fingers, and they taste like shit. You know what I like? Know my all-time favorite meal? The buttocks of a tender young child. Albert Fish liked that too, oh yes he did. Mmm-mmm BABY BUTT Thats GOOD EATINHenry realizes that he has somehow slipped all the way down the unopenable door and is now resting, breathing far too heavily, on his hands and knees. He shoves himself forward and crawls behind the Mission-style sofa, from the comfort of which he had listened to horseshit Sawyer reading a great many eloquent words written by Charles Dickens. Among the things he would now never be able to do, he realizes, is find out what lastly happens in Bleak House. Another is seeing his takeoff booster bull again.The Fishermans footsteps enter the living elbow room and stop moving. All right, where the fuck are you, asshole? You cant befog from me. The hedge clippers blades go s nick-snick.Either the Fisherman has grown as blind as Henry, or the room is too dark for vision. A little bit of hope, a match flame, flares in Henrys soul. Maybe his adversary will not be able to see the light switches.Asshole Ahzz-hill. Damn it, where are you concealment? Dahmmut, vhey ah you high-dung?This is fascinating, Henry thinks. The more angry and frustrated the Fisherman gets, the more his accent melts into that weird non-German. It isnt the South Side of Chicago anymore, but neither is it anything else. It certainly isnt German, not really. If Henry had heard Dr. Spieglemans description of this accent as that of a Frenchman trying to speak English like a German, he would have nodded in smiling agreement. Its like some kind of outer space German accent, like something that mutated toward German without ever having heard it.You hurt me, you stinking pig You huhht me, you steenk-ung peekThe Fisherman lurches toward the easy chair and shoves it over on its side. In his Chic ago voice, he says, Im gonna find you, buddy, and when I do, Ill cut your fucking head aside.A lamp hits the floor. The slippered footsteps move heavily toward the right side of the room. A blind guy hides in the dark, huh? Oh, thats cute, thats really cute. Lemme tell you something. I havent tasted a tongue in a while, but I think Ill try yours. A small table and the lamp atop it clunk and crash to the floor. I got some information for you. Tongues are funny. An old guys doesnt taste much different from a young fellas though of course the tongue on a kid is twice as good as both. Venn I vas Fridz Hahhmun I ade munny dungs, ha ha.Strange that extraterrestrial version of a German accent bursts out of the Fisherman like a second voice. A fist strikes the skirt, and the footsteps plod nearer. Using his elbows, Henry crawls around the far end of the sofa and squirms toward the shelter of a long, low table. The footsteps squish in blood, and when Henry rests his head on his hands, wa rm blood pumps out against his face. The fiery agony in his fingers almost swallows the pain in his cheek and his back.You cant hide forever, the Fisherman says. Immediately, he switches to the weird accent and rep remains, Eenuff ov dis, Burn-Burn. Vee huv murr impurdund vurk zu do.Hey, youre the one who called him an ahzz-hill. He hurt meFogzes down fogzhulls, oho, radz in radhulls, dey too ahh huhht. My boor loss babbies ahh huhht, aha, vurze vurze vurze dan uz.But what round him?Hee iz bledding zu deff, bledding zu deff, aha. Led hum dy.In the immorality, we can just make out what is happening. Charles Burnside appears to be performing an eerie imitation of the two heads of Parkuss parrot, Sacred and Profane. When he speaks in his own voice, he turns his head to the left when speaking with the accent of an extraterrestrial, he looks to his right. Watching his head swivel back and forth, we might be ceremony a comic fraud like Jim Carrey or Steve Martin pretending to be the t wo halves of a split personality except that this man is not funny. Both of his personalities are awful, and their voices hurt our ears. The greatest difference between them is that left-head, the guttural extraterrestrial, runs the show his hands hold the flap of the others vehicle, and right-head our Burny is essentially a slave. Since the difference between them has become so clear, we begin to get the impression that it will not be long before Mr. Munshun peels off Charles Burnside and discards him like a worn-out sock.But I WANT to decimate him Burny screeches.Hee iz alreddy dud, dud, dud. Chack Zawyuhs hardt iz go-ung do break. Chack Zawyuh vill nod know whud he iz do-ung. Vee go now du Muxtunz and oho vee kull Chibbuh, yuzz? You vahhnd kull Chibbuh I ding, yuzz?Burny snickers. Yeah. I vahhnd to obliterate Chipper. I vahhnd to slice that asshole into little pieces and chew on his bones. And if his snippy bitch is there, I want to cut off her head and suck her juicy littl e tongue down my throat.To Henry Leyden, this conversation sounds like insanity, damn possession, or both. Blood continues to stream out of his back and from the ends of his mutilated fingers, and he is powerless to stop the flow. The smell of all the blood beneath and around him makes him feel nauseated, but nausea is the least of his chores. A light-headed sense of drift, of pleasing numbness that is his real problem, and his best weapon against it is his own pain. He must remain conscious. Somehow, he must leave a message for tar.Zo vee go now, Burn-Burn, and vee hahhv ah blesh-ah vid Chibbuh, yuzz? End denn . . . oho end denn, denn, denn vee go do de beeyoodiful bee-yoodiful Blagg Huzz, my Burn-Burn, end in Blagg Huzz vee mayyg reddy for de Grimsunn GingI want to mate the Crimson power, Burny says. A rope of drool sags from his mouth, and for an instant his eyes gleam in the darkness. Im gonna give the Marshall brat to the Crimson King, and the Crimson King is gonna maki ng love me, because all Im gonna eat is like one little ass cheek, one little hand, something like that.Hee vill lahhv you fuhr my zake, Burn-Burn, fuhr de Ging lahhvs mee bezzd, mee, mee, mee, Mizz-durr Munn-shunn End venn de Ging roolz sooprumm, fogzes down fogzhulls veep and veep, dey gryy, gryy, gryy dere lid-dul hardz utt, on-cuzz you end mee, mee, mee, vee vull eed end eed end eed, eed, eed undill de vurrldz on all zydes are nudding bahd embdy bee-nudd shillzEmpty peanut shells. Burny chuckles, and noisily retracts another rope of slobber. Thats a hell of a lot of eatin.Any second now, Henry thinks, horrible old Burn-Burn is going to fork over a substantial down payment on the Brooklyn Bridge.Gumm.Im coming, says Burnside. First I want to leave a message.There is a silence.The next thing Henry hears is a curious whooshing sound and the joined smack-smacks of sodden footwear parting from a sticky floor. The door to the wardrobe beneath the stairs bangs open the studio door ban gs shut. A smell of ozone comes and goes. They have gone Henry does not know how it happened, but he feels certain that he is alone. Who cares how it happened? Henry has more important matters to think about. Murr impurdund vurk, he says aloud. That guys a German like Im a speckled hen.He crawls out from beneath the long table and uses its surface to lever himself up on his feet. When he straightens his back, his mind wobbles and goes gray, and he grasps a lampstand to stay upright. Dont pass out, he says. Passing out is not allowed, nope.Henry can walk, he is sure of it. Hes been walking most of his life, after all. Come to that, he can drive a car, too driving is even easier than walking, only no one ever had the cojones to let him demonstrate his talents behind the wheel. Hell, if Ray Charles could drive and he could, he can, Ray Charles is probably spinning into a left turn off the highway at this moment why not Henry Leyden? Well, Henry does not happen to have an automobile purchasable to him right now, so Henry is going to have to settle for winning a brisk walk. Well, as brisk as possible anyhow.And where is Henry going on this delightful stroll through the blood-soaked living room? Why, he answers himself, the answer is obvious. I am going to my studio. I feel like taking a stroll into my lovely little studio.His mind slides into gray once more, and gray is to be avoided. We have an antidote for the gray feeling, dont we? Yes, we do the antidote is a good sharp taste of pain. Henry slaps his good hand against the stumps of his severed fingers whoo boy, yes indeed, whole arm sort of went up in flames there. Flaming arm, that will work. Sparks jibe white hot from burning fingers will get us to the studio.Let those tears flow. Dead folks dont cry.The smell of blood is like laughter, Henry says. Who said that? Somebody. Its in a book. ?The smell of blood was like laughter. Great line. Now put one foot in front of the other.When he reaches the short h allway to the studio, he leans against the wall for a moment. A wave of luxurious weariness begins at the center of his chest and laps through his body. He snaps his head up, blood from his lacerate cheek spattering the wall. Keep talking, you dope. Talking to yourself isnt crazy. Its a wonderful thing to do. And guess what? Its how you make your living you talk to yourself all day longHenry pushes himself off the wall, steps forward, and George Rath-bun speaks through his vocal cords. Friends, and you ARE my friends, let me be clear about that, we here at KDCU-AM seem to be experiencing some skilful difficulties. The power levels are sinking, and brownouts have been recorded, yes they have. Fear not, my close ones. Fear not Even as I speak, we are but four paltry feet from the studio door, and in no time at all, we shall be up and running, yessir. No ancient cannibal and his space-alien sidekick can put this station out of business, uh-UHH, not before we make our last and final broadcast.It is as if George Rathbun gives life to Henry Leyden, instead of the other way around. His back is straighter, and he holds his head upright. Two steps bring him to the closed studio door. Its a tough catch, my friends, and if jailhouse Reese is going to snag that ball, his mitt had better be clean as a whistle. What is he doing out there, folks? Can we believe our eyes? Can he be shoving one hand into his pants pocket? Is he pulling something out? Man oh man, it causes the mind to reel Pokey is using THE OLD HANDKERCHIEF PLOY Thats right He is WIPING his mitt, WIPING his throwing hand, DROPPING the snotrag, GRABBING the handle And the door is OPEN Pokey Reese has done it again, he is IN THE STUDIOHenry winds the handkerchief around the ends of his fingers and fumbles for the chair. And Rafael Furcal seems lost out there, the man is GROPING for the ball Wait, wait, does he have it? Has he caught an edge? YES He has the ARM of the ball, he has the BACK of the ball, and he pulls it UP, ladies and gents, the ball is UP on its WHEELS Furcal sits down, he pushes himself toward the console. Were facing a lot of blood here, but baseball is a bloody bet when they come at you with their CLEATS up.With the fingers of his left hand, from which most of the blood has been cleaned, Henry punches the ON switch for the big tape recorder and pulls the microphone close. He is sitting in the dark listening to the sound of tape hissing from reel to reel, and he feels oddly satisfied to be here, doing what he has done night after night for thousands of nights. Velvety exhaustion swims through his body and his mind, darkening whatever it touches. It is too early to yield. He will surrender soon, but first he must do his job. He must talk to Jack Sawyer by talking to himself, and to do that he calls upon the familiar spirits that give him voice.George Rathbun Bottom of the ninth, and the home team is headed for the showers, pal. But the game aint OVER till the last BL IND man is DEADHenry Shake Im talking to you, Jack Sawyer, and I dont want you to flip out on me or nothin. Keep cool and listen to your old friend Henry the Sheik the Shake the Shook, all right? The Fisherman paid me a visit, and when he left here he was on his way to Maxtons. He wants to kill Chipper, the guy who owns the place. Call the police, save him if you can. The Fisherman lives at Maxtons, did you know that? Hes an old man with a demon inside him. He wanted to stop me from coitus you that I recognized his voice. And he wanted to mess with your feelings he thinks he can screw you up by killing me. Dont give him that satisfaction, all right?The Wisconsin Rat BECAUSE THAT WOULD REALLY SUCK FISH-BRAINS WILL BE WAITING FOR YOU IN A PLACE CALLED BLACK HOUSE, AND YOU HAVE TO BE READY FOR THE BASTARD slant HIS NUTS OFFThe Rats buzz-saw voice ends in a fit of coughing.Henry Shake, breathing hard Our friend the Rat was suddenly called away. The boy has a end to get overexcited.G eorge Rathbun SON, are you trying to tell ME that Henry Shake Calm down. Yes, he has a right to be excited. But Jack doesnt want us to scream at him. Jack wants information.George Rathbun I reckon you better hurry up and give it to him, then.Henry Shake This is the deal, Jack. The Fishermans not very bright, and neither is his whatever, his demon, whos called something like Mr. Munching. Hes incredibly vain, too.Henry Leyden folds back into the chair and stares at nothing for a second or two. He can feel nothing from the waist down, and blood from his right hand has pooled around the microphone. From the stumps of his fingers comes a steady, diminishing pulse.George Rathbun Not now, ChucklesHenry Leyden shakes his head and says, Vain and stupid you can outmaneuver, my friend. I have to sign off now. Jack, you dont have to feel too bad about me. I had a goddamn wonderful life, and Im going to be with my darling Rhoda now. He s milliliters in the darkness his smile widens. Ah, Lark. Hello. At times, it is possible for the smell of blood to be like laughter.What is this, at the end of Nailhouse Row? A horde, a swarm of fat, buzzing things that heap and dart about Jack Sawyer, in the dying light seeming almost illuminated, like the radiant pages of a sacred text. Too small to be hummingbirds, they seem to carry their own individual, internal glow as they mesh through the air. If they are wasps, Jack Sawyer is going to be in just trouble. Yet they do not sting their round bodies brush his face and hands, blundering softly against his body as a cat will nudge its owners leg, both giving and receiving comfort.At present, they give much more comfort than they receive, and even Jack cannot explain why this should be so. The creatures surrounding him are not wasps, hummingbirds, or cats, but they are bees, honeybees, and ordinarily he would be frightened to be caught in a swarm of bees. Especially if they appeared to be members of a sort of master bee race, superbee s, larger than any he has seen before, their golds more golden, their blacks vibrantly black. Yet Jack is not frightened. If they were going to sting him, they would already have done it. And from the first, he understood that they meant him no harm. The touch of their many bodies is surpassingly smooth and soft their massed buzzing is low and harmonious, as peaceable as a Protestant hymn. After the first few seconds, Jack simply lets it happen.The bees sift even closer, and their low noise pulses in his ears. It sounds like speech, or like song. For a moment, all he can see is a tightly woven network of bees moving this way and that then the bees settle everywhere on his body but the oval of his face. They cover his head like a helmet. They blanket his arms, his chest, his back, his legs. Bees land on his billet and obscure them from view. Despite their number, they are almost encumbranceless. The exposed parts of Jacks body, his hands and neck, feel as though wrapped in cashmere . A dense, feather-light bee suit shimmers black and gold all over Jack Sawyer. He raises his arms, and the bees move with him.Jack has seen photographs of beekeepers aswarm with bees, but this is no photograph and he is no beekeeper. His amazement really, his see-through pleasure in the unexpectedness of this visitation stuns him. For as long as the bees cling to him, he forgets Mouses odious death and the next days fearsome task. What he does not forget is Sophie he wishes Beezer and Doc would walk outside, so they could see what is happening, but more than that, he wishes Sophie could see it. Perhaps, by grace of dyamba, she does. Someone is comforting Jack Sawyer, someone is wishing him well. A loving, invisible presence offers him support. It feels like a blessing, that support. Clothed in his radiate black-and-yellow bee suit, Jack has the idea that if he stepped toward the sky, he would be airborne. The bees would carry him over the valleys. They would carry him over the wrinkled hills. Like the winged men in the Territories who carried Sophie, he would fly. Instead of their two, he would have two thousand wings to bear him up.In our world, Jack remembers, bees return to the hive before nightfall. As if reminded of their daily routine, the bees prink from Jacks head, his trunk, his arms and legs, not en masse, like a living carpet, but individually and in parties of five and six, wander a short distance higher up him, then swirl around, shoot like bullets eastward over the houses on the inland side of Nailhouse Row, and disappear one and all into the same dark infinity. Jack becomes aware of their sound only when it disappears with them.In the seconds before he can once again begin moving toward his truck, he has the feeling that someone is watching over him. He has been . . . what? It comes to him as he turns his key in the Rams ignition and flutters the gas pedal he has been embraced.Jack has no idea how much he will need the warmth of that emb race, nor of the manner in which it shall be returned to him, during the coming night.First of all, he is exhausted. He has had the kind of day that should end in a surreal event like an embrace by a swarm of bees Sophie, Wendell Green, Judy Marshall, Parkus that cataclysm, that deluge and the strange death of Mouse Baumann, these things have stretched him taut, left him gasping. His body aches for rest. When he leaves French Landing and drives into the wide, dark countryside, he is tempted to pull over to the side of the road and catch a half(prenominal)-hour nap. The deepening night promises the refreshment of sleep, and that is the problem he could wind up sleeping in the truck all night, which would leave him feeling bleary and arthritic on a day when he must be at his best.Right now, he is not at his best not by a longshot, as his father, Phil Sawyer, use to say. Right now he is running on fumes, another of Phil Sawyers pet expressions, but he figures that he can stay awake long enough to visit Henry Leyden. Maybe Henry cut a deal with the guy from ESPN maybe Henry will move into a wider market and make a lot more money. Henry in no way needs any more money than he has, for Henrys life seems flawless, but Jack likes the idea of his dear friend Henry suddenly flush with cash. A Henry with extra money to throw around is a Henry Jack would love to see. speculate the wondrous clothes he could afford Jack pictures going to New York with him, staying in a nice hotel like the Carlyle or the St. Regis, walking him through half a dozen great mens stores, helping him pick out whatever he wants.Just about everything looks good on Henry. He seems to change all the clothes he wears, no matter what they are, but he has definite, particular tastes. Henry likes a certain classic, even old-fashioned, stylishness. He often dresses himself in pinstripes, windowpane plaids, herringbone tweeds. He likes cotton, linen, and wool. He sometimes wears bow ties, ascots, and little handkerchiefs that puff out of his breast pocket. On his feet, he puts penny loafers, wing tips, cap toes, and low boots of soft, fine flog. He never wears sneakers or jeans, and Jack has never seen him in a T-shirt that has writing on it. The question was, how did a man blind from birth evolve such a specific taste in clothing?Oh, Jack realizes, it was his mother. Of course. He got his taste from his mother.For some reason, this recognition threatens to bring tears to Jacks eyes. I get too emotional when I get this tired, he says to himself. Watch out, or youll go overboard. But diagnosing a problem is not the same as fixing it, and he cannot follow his own advice. That Henry Leyden all of his life should have held to his mothers ideas about mens clothing strikes Jack as beautiful and moving. It implies a kind of loyalty he admires unspoken loyalty. Henry probably got a lot from his mother his quick-wittedness, his love of music, his levelheadedness, his utter lack of self -pity. Levelheadedness and lack of self-pity are a great combination, Jack thinks they go a long way toward defining courage.For Henry is courageous, Jack reminds himself. Henry is damn near fearless. Its funny, how he talks about being able to drive a car, but Jack feels certain that, if allowed, his friend would unhesitatingly jump behind the wheel of the nearest Chrysler, start the engine, and take off for the highway. He would not exult or show off, such behavior being foreign to his nature Henry would nod toward the windshield and say things like, Looks like the corn is nice and tall for this time of year, and Im glad Duane finally got around to painting his house. And the corn would be tall, and Duane Updahl would have recently painted his house, information delivered to Henry by his mysterious sensory systems.Jack decides that if he makes it out of Black House alive, he will give Henry the opportunity to take the Ram out for a spin. They might wind up nose-down in a ditch, bu t it will be worth it for the expression on Henrys face. Some Saturday afternoon, hell get Henry out on Highway 93 and let him drive to the Sand Bar. If Beezer and Doc do not get savaged by weredogs and survive their journey to Black House, they ought to have the chance to enjoy Henrys conversation, which, odd as it seems, is perfectly suited to theirs. Beezer and Doc should know Henry Leyden, theyd love the guy. After a couple of weeks, theyd have him up on a Harley, swooping toward Norway Valley from Centralia.If only Henry could come with them to Black House. The thought pierces Jack with the sadness of an inspired idea that can never be put into practice. Henry would be brave and unfaltering, Jack knows, but what he most likes about the idea is that he and Henry would ever after be able to talk about what they had done. Those talks the two of them, in one living room or another, snow piling on the roof would be wonderful, but Jack cannot endanger Henry that way.Thats a stupid thing to think about, Jack says aloud, and realizes that he regrets not having been completely open and unguarded with Henry thats where the stupid worry comes from, his stubborn silence. It isnt what he will be unable to say in the future its what he failed to say in the past. He should have been honest with Henry from the start. He should have told him about the red feathers and the robins eggs and his conference uneasiness. Henry would have helped him open his eyes he would have helped Jack resolve his own blindness, which was more damaging than Henrys.All of that is over, Jack decides. No more secrets. Since he is lucky enough to have Henrys friendship, he will demonstrate that he values it. From now on, he will tell Henry everything, including the backcloth the Territories, Speedy Parker, the dead man on the Santa Monica Pier, Tyler Marshalls baseball cap. Judy Marshall. Sophie. Yes, he has to tell Henry about Sophie how can he not have done so already? Henry will rejoice w ith him, and Jack cannot wait to see how he does it. Henrys rejoicing will be unlike anyone elses Henry will have a bun in the oven some delicate, cool, good-hearted surpasspin to the expression of his delight, thereby increasing Jacks own delight. What an incredible, literally incredible friend If you were to describe Henry to someone who had never met him, he would sound unbelievable. Someone like that, living alone in an outback of the boonies? But there he was, all alone in the entirely obscure study of Norway Valley, French County, Wisconsin, waiting for the latest installment of Bleak House. By now, in anticipation of Jacks arrival, he would have turned on the lights in his kitchen and living room, as he had done for years in honor of his dead, much-loved wife.Jack thinks I must not be so bad, if I have a friend like that.And he thinks I really adore Henry.Now, even in the darkness, everything seems beautiful to him. The Sand Bar, ablaze with neon lights in its vast expanse of parking lot the spindly, intermittent trees picked out by his headlights after the turn onto 93 the long, invisible fields the glowing light bulbs hung like Christmas decorations from the porch of Roys Store. The rattle over the first bridge and the sharp turn into the depths of the valley. Set back from the left side of the road, the first of the farmhouses gleam in the darkness, the lights in their windows burning like sacramental candles. Everything seems fey by a higher meaning, everything seems to speak. He is traveling, within a hush of sacred silence, through a sacred grove. Jack remembers when Dale first drove him into this valley, and that reposition is sacred, too.Jack does not know it, but tears are coursing down his cheeks. His blood sings in his veins. The pale farmhouses shine half-hidden by the darkness, and out of that darkness leans the stand of tiger lilies that greeted him on his first down-valley journey. The tiger lilies blaze in his headlights, then slip murmuring behind him. Their lost speech joins the speech of the tires cast eagerly, gently toward Henry Leydens warm house. Tomorrow he may die, Jack knows, and this may be the last night he will ever see. That he must win does not mean that he will win proud empires and noble epochs have gone down in defeat, and the Crimson King may burst out of the Tower and rage through world after world, spreading chaos.They could all die in Black House he, Beezer, and Doc. If that happens, Tyler Marshall will be not only a surf, a slave chained to an oar in a timeless Purgatory, but a super-Breaker, a nuclear-powered Breaker the abbalah will use to turn all the worlds into furnaces filled with burning corpses. Over my dead body, Jack thinks, and laughs a little crazily its so literalWhat an quaint moment he is laughing while he rubs tears off his face. The paradox suddenly makes him feel as though he is being snap in half. Beauty and terror, beauty and pain there is no way out of the conun drum. Exhausted, strung out, Jack cannot hold off his awareness of the worlds essential fragility, its constant, unbeatable movement toward death, or the deeper awareness that in that movement lies the source of all its meaning. Do you see all this heart-stopping beauty? Look closely, because in a moment your heart will stop.In the next second, he remembers the swarm of golden bees that descended upon him it was against this that they comforted him, exactly this, he tells himself. The blessing of blessings that vanish. What you love, you must love all the harder because someday it will be gone. It felt true, but it did not feel like all of the truth.Against the vastness of the night, he sees the giant shape of the Crimson King dimension aloft a small boy to use as a burning glass that will ignite the worlds into flaming waste. What Parkus said was right he cannot destroy the giant, but he may find it possible to rescue the boy.The bees said Save Ty Marshall.The bees said Love Henr y Leyden.The bees said Love Sophie.That is close enough, right enough, for Jack. To the bees, these were all the same sentence. He supposes that the bees might well also have said, Do your job, coppiceman, and that sentence was only slightly different. Well, he would do his job, all right. After having been given such a miracle, he could do nothing else.His heart warms as he turns up Henrys drive. What was Henry but another kind of miracle?Tonight, Jack gleefully resolves, he is going to give the amazing Henry Leyden a thrill he will never forget. Tonight, he will tell Henry the whole story, the entire long tale of the journey he took in his twelfth year the Blasted Lands, Rational Richard, the Agincourt, and the Talisman. He will not leave out the Oatley Tap and the Sunlight Home, for these travails will get Henry wonderfully worked up. And savage Henry is going to be crazy about Wolf Wolf will tickle him right down to the soles of his chocolate-brown suede loafers. As Jack speaks, every word he says will be an apology for having been inactive for so long.And when he has finished telling the whole story, telling it at least as well as he can, the world, this world, will have been transformed, for one person in it besides himself will know everything that happened. Jack can barely imagine what it will feel like to have the dam of his loneliness so obliterated, so destroyed, but the very thought of it floods him with the anticipation of relief.Now, this is strange . . . Henry has not turned on his lights, and his house looks dark and empty. He must have fallen asleep.Smiling, Jack turns off the engine and gets out of the pickups cab. Experience tells him that he wont get more than three paces into the living room before Henry rouses himself and pretends that he has been awake all along. Once, when Jack found him in the dark like this, he said, I was just resting my eyes. So what is it going to be this evening? He was planning his Lester Young?CCharlie Parker birthday tribute, and he found it easier to concentrate this way? He was thinking about frying up some fish, and he wanted to see if food tasted different if you cooked it in the dark? Whatever it is, itll be entertaining. And maybe they will celebrate Henrys new deal with ESPNHenry? Jack raps on the door, then opens it and leans in. Henry, you faker, are you asleep?Henry does not respond, and Jacks question falls into a soundless void. He can see nothing. The room is a two-dimensional pane of blackness. Hey, Henry, Im here. And boy, do I have a story for youMore dead silence. Huh, Jack says, and steps inside. Immediately, his instincts scream that he should get out, take off, scram. But why should he feel that? This is just Henrys house, thats all he has been inside it hundreds of times before, and he knows Henry has either fallen asleep on his sofa or walked over to Jacks house, which come to think of it is probably exactly what happened. Henry got a terrific offer from the ESPN r epresentative, and in his excitement for even Henry Leyden can get excited, you just have to look a little closer than you do with most people decided to surprise Jack at his house. When Jack failed to arrive by five or six, he decided to wait for him. And right now, he is probably sound asleep on Jacks sofa, instead of his own.All of this is plausible, but it does not alter the message blasting from Jacks nerve endings. Go Leave You dont want to be hereHe calls Henrys name again, and his repartee is the silence he expects.The transcendent mood that had carried him down the valley has already disappeared, but he never noted its passing, merely that it is a thing of the past. If he were still a homicide detective, this is the moment when he would unholster his weapon. Jack steps quietly into the living room. Two strong odors come to him. One is the scent of perfume, and the other . . .He knows what the other one is. Its presence here means that Henry is dead. The part of Jack that is not a cop argues that the smell of blood means no such thing. Henry may have been wounded in a fight, and the Fisherman could have taken him across worlds, as he did with Tyler Marshall. Henry may be trussed up in some pocket of the Territories, salted away to be used as a bargaining chip, or as bait. He and Ty might be side by side, waiting for rescue.Jack knows that none of this is true. Henry is dead, and the Fisherman killed him. It is his job now to find the body. Hes a coppiceman he has to act like one. That the last thing in the world he wants to do is look at Henrys corpse does not change the nature of his task. gloominess comes in many forms, but the kind of sorrow that has been building within Jack Sawyer feels as if it is made of granite. It slows his step and clenches his jaw. When he moves to his left and reaches for the light switch, this stony sorrow directs his hand to the right spot on the wall as surely as if he were Henry.Because he is looking at the wall wh en the lights go on, only his peripheral vision takes in the interior of the room, and the damage does not seem as extensive as he had feared. A lamp has been toppled, a chair knocked over. But when Jack turns his head, two aspects of Henrys living room sear themselves onto his retinas. The first is a red slogan on the cream-colored opposite wall the second, the sheer amount of blood on the floor. The bloodstains are like a map of Henrys progress into and back out of the room. Gouts of blood like those left by a wounded animal begin at the hallway and trail, accompanied by many loops and spatters, to the back of the Mission sofa, where blood lies pooled. Another large pool covers the hardwood floor beneath the long, low table where Henry sometimes used to park his portable CD player and stack the evenings CDs. From the table, another series of splashes and gouts lead back into the hallway. To Jack, it looks as though Henry must have been very low on blood when he felt safe enough to crawl out from under the table. If that is the way it went.While Henry lay dead or dying, the Fisherman had taken something made of cloth his shirt? a handkerchief ? and used it like a fat, unwieldy paintbrush. He had dipped it in the blood behind the sofa, raised it dripping to the wall, and daubed a few letters. Then hed reiterate and repeated the action until he had wiped the last letter of his message onto the wall.HELLO Hollywood CUM GET MEECK CK CK CKBut the Crimson King had not written the bemock initials, and neither had Charles Burnside. They had been daubed on the wall by the Fishermans master, whose name, in our ears, sounds like Mr. Munshun.Dont worry, Ill come for you soon enough, Jack thinks.At this point, he could not be criticized for walking outside, where the air does not reek of blood and perfume, and using his cell phone to call Sumner Street. Maybe Bobby Dulac is on duty. He might even find Dale still at the station. To fulfill all of his civic obligations, he need speak only eight or nine words. After that, he could pocket the cell phone and sit on Henrys front steps until the guardians of law and order come barreling up the long drive. There would be a lot of them, at least four cars, maybe five. Dale would have to call the troopers, and Brown and Black might feel obliged to call the FBI. In about forty-five minutes, Henrys living room would be crowded with men taking measurements, writing in their notebooks, setting down evidence tags, and photographing bloodstains. There would be the M.E. and the evidence wagon. And when the first stage of everybodys non-homogeneous jobs came to an end, two men in white jackets would carry a stretcher through the front door and load the stretcher into whatever the hell they were driving.Jack does not consider this option for much longer than a couple of seconds. He wants to see what the Fisherman and Mr. Munshun did to Henry he has to see it, he has no choice. His grim sorrow demands it, and if he does not obey his sorrows commands, he will never feel quite whole again.His sorrow, which is closed like a leaf blade vault around his love for Henry Leyden, drives him deeper into the room. Jack moves slowly, picking his way forward the way a man crossing a stream moves from persuade to rock. He is looking for the bare places where he can set his feet. From across the room, dripping red letters eight inches high mock his progress.HELLO HOLLYWOODIt seems to wink on and off, like a neon sign. HELLO HOLLYWOOD HELLO HOLLYWOOD.CUM GET MEECUM GET MEEHe wants to curse, but the weight of his sorrow will not permit him to utter the words that float into his mind. At the end of the hallway to the studio and the kitchen, Jack steps over a long smear of blood and turns his back on the living room and the distracting flashes of neon. The light penetrates only three or four feet into the hallway. The kitchen is solid, featureless darkness. The studio door hangs half open, and reflected lig ht shines softly in its window.Blood lies spattered and smeared everywhere on the floor of the hallway. He can no longer avoid stepping in it but moves down the hallway with his eyes on the gaping studio door. Henry Leyden never left this door yawning into the little corridorhe kept it closed. Henry was neat. He had to be if he left the studio door hanging open, he would walk right into it the next time he went to the kitchen. The mess, the disorderliness left in his wake by Henrys murderer disturbs Jack more than he wishes to admit, maybe even more than he recognizes. This messiness represents a true violation, and, on his friends behalf, Jack hugely resents it.He reaches the door, touches it, opens it wider. A concentrated stench of perfume and blood hangs in the air. Nearly as dark as the kitchen, the studio offers Jack only the dim shape of the console and the murky rectangles of the speakers fixed to the wall. The window into the kitchen hovers like a black sheet, invisible. His hand still on the door, Jack moves nearer and sees, or thinks he sees, the back of a tall chair and a shape stretched over the desk in front of the console. Only then does he hear the whup-whup-whup of tape hitting the end of a reel.Ohmygod, Jack says, all in one word, as if he had all along not been expecting something exactly like what is before him. With a terrible, insistent certainty, the sound of the tape drives home the fact that Henry is dead. Jacks sorrow overrides his chickenhearted desire to go outside and call every cop in the state of Wisconsin by compelling him to grope for the light switch. He cannot leave he must witness, as he did with Irma Freneau.His fingers brush against the down-ticked plastic switch and settle on it. Into the back of his throat rises a sour, brassy taste. He flicks the switch up, and light floods the studio.Henrys body leans out of the tall leather chair and over the desk, his hands on either side of his prize microphone, his face flattene d on its left side. He is still wearing his dark glasses, but one of the thin metal bows is bent. At first, everything seems to have been painted red, for the nearly uniform coat of blood covering the desk has been dripping onto Henrys lap and the tops of his thighs for some time, and all the equipment has been sprayed with red. Part of Henrys cheek has been bitten off. He is missing two fingers from his right hand. To Jacks eyes, which have been taking an inventory as they register all the lucubrate of the room, most of Henrys blood loss came from a wound in his back. Blood-soaked clothing conceals the injury, but as much blood lies pooled, dripping, at the back of the chair as covers the desk. Most of the blood on the floor came from the chair. The Fisherman must have sliced an internal organ, or severed an artery.Very little blood, apart from a fine mist over the controls, has hit the tape recorder. Jack can hardly remember how these machines work, but he has seen Henry change r eels often enough to have a sense of what to do. He turns the recorder off and threads the end of the tape into the empty reel. Then he turns the machine on and pushes REWIND. The tape glides smoothly over the heads, spooling from one reel to the other.Did you make a tape for me, Henry? Jack asks. I bet you did, but I hope you didnt die telling me what I already know.The tape clicks to a stop. Jack pushes PLAY and holds his breath.In all his bull-necked, red-faced glory, George Rathbun booms from the speakers. Bottom of the ninth, and the home team is headed for the showers, pal. But the game aint OVER till the last BLIND man is DEADJack sags against the wall.Henry Shake enters the room and tells him to call Maxtons. The Wisconsin Rat sticks his head in and screams about Black House. The Sheik the Shake the Shook and George Rathbun have a short debate, which the Shake wins. It is too much for Jack he cannot stop his tears, and he does not bother to try. He lets them come. Henrys las t performance moves him enormously. It is so bountiful, so pure so purely Henry. Henry Leyden kept himself alive by calling on his alternate selves, and they did the job. They were a faithful crew, George and the Shake and the Rat, and they went down with the ship, not that they had much choice. Henry Leyden reappears, and in a voice that grows fainter with each phrase, says that Jack can beat vain and stupid. Henrys dying voice says he had a wonderful life. His voice drops to a whisper and utters three words filled to the brim with gratified surprise Ah, Lark. Hello. Jack can hear the smile in those words.Weeping, Jack staggers out of the studio. He wants to collapse into a chair and cry until he has no more tears, but he cannot fail either himself or Henry so greatly. He moves down the hallway, wipes his eyes, and waits for the stony sorrow to help him deal with his grief. It will help him deal with Black House, too. The sorrow is not to be deterred or deflected it works like ste el in his spine.The ghost of Henry Shake whispers Jack, this sorrow is never going to leave you. Are you down with that? Wouldnt have it any other way.Just as long as you know. Wherever you go, whatever you do. through with(predicate) every door. With every woman. If you have children, with your children. Youll hear it in all the music you listen to, youll see it in every book you read. It will be part of the food you eat. With you forever. In all the worlds. In Black House. I am it, and it is me.George Rathbuns whisper is twice as loud as the Sheik the Shake the Shooks Well, damnit, son, can I hear you say DYAMBA? Dyamba.I reckon now you know why the bees embraced you. Dont you have a telephone call to make?Yes, he does. But he cannot bear to be in this blood-soaked house any longer he needs to be out in the warm summer night. allow his feet land where they may, Jack walks across the ruined living room and passes through the doorway. His sorrow walks with him, for he is it and it is he. The enormous sky hangs far above him, pierced with stars. step to the fore comes the trusty cell phone.And who answers the telephone at the French Landing Police Station? Arnold Flashlight Hrabowski, of course, with a new nickname and just reinstated as a member of the force. Jacks news puts Flashlight Hrabowski in a state of high agitation. What? Gosh Oh, no. Oh, who woulda believed it? Gee. Yeah, yessir. Ill take care of that right away, you bet.So while the former frantic Hungarian tries to keep both his hands and voice from trembling as he dials the chiefs home number and passes on Jacks two-sided message, Jack himself wanders away from the house, away from the drive and his pickup truck, away from anything that reminds him of human beings, and into a meadow filled with high, yellow-green grasses. His sorrow leads him, for his sorrow knows better than he what he needs.Above all, he needs rest. Sleep, if sleep is possible. A soft spot on level ground far from the coming uproar of red lights and sirens and furious, hyperactive policemen. Far from all that desperation. A place where a man can lay his head and get a representative view of the local heavens. Half a mile down the fields, Jack comes to such a place between a cornfield and the rocky beginnings of the wooded hills. His sorrowing mind tells his sorrowing, exhausted body to lie down and make itself comfortable, and his body obeys. Overhead, the stars seem to vibrate and blur, though of course real stars in the familiar, real heavens do not act that way, so it must be an optical illusion. Jacks body stretches out, and the pad of grass and topsoil beneath his body seems to adjust itself around him, although this, too, must be an illusion, for everyone knows that in real life, the actual ground tends to be obdurate, inflexible, and stony. Jack Sawyers sorrowing mind tells his sorrowing ache of a body to fall asleep, and impossible as it may seem, fall asleep it does.Within minutes, Jack Sawyer s sleeping body undergoes a subtle transformation. Its edges seem to soften, its colors his wheaten hair, his light tan jacket, his soft brown shoes grow paler. An odd translucency, a mistiness or cloudiness, enters the process. It is as if we can peer through the cloudy, indistinct mass of his slow-breathing body to see the soft, crushed blades of grass that form its mattress. The longer we peer, the more clearly we can take in the grass beneath him, for his body is getting vaguer and vaguer. At last it is only a shimmer over the grass, and by the time the Jack-shaped pad of green has again straightened itself, the body that shaped it is long gone.